No to Spotify

I left Spotify years ago when they decided they were rather pay millions of dollars for exclusivity rights to a podcast rather than increase the paltry amounts they pay the musicians who make up their business. All About Jazz, the…

I left Spotify years ago when they decided they were rather pay millions of dollars for exclusivity rights to a podcast rather than increase the paltry amounts they pay the musicians who make up their business. All About Jazz, the…

I’ve been following guitarist Chris Standring for a long time now. His track “Liquid Soul” has been a five star staple in my library for years, and I’ve been receiving his newsletter consistently, watching his journey unfold in real time.…

I remember when I saw Norman Brown in 1992 or 1993. He was opening for Grover Washington Jr. in St. Louis, and he was really new to the scene. But he made an impression then with his live performance and…

Lakecia Benjamin’s latest studio project, We Dream, feels less like a standard album release and more like a necessary pivot. As the world feels increasingly heavy, Benjamin is using this record to shift her focus toward something intentional. “It felt…

The future of jazz is always unfolding, and programs like Next Jazz Legacy are helping make sure the next generation of artists has the support and mentorship they need to thrive. New Music USA and the Berklee Institute of Jazz…