The Manhattan Transfer went decidedly contemporary with The Offbeat of Avenues at #3. Jeff Lorber co-wrote and produced “10 Minutes Till the Savages Come,” David Pack and Michael McDonald helped write “A World Apart,” and Donald Fagen wrote “Confide in Me.” The album’s “Sassy” would go on to win the Grammy for Best Contemporary Jazz Performance. And check out the debuts: Fourplay’s self-titled first album was already at #6 on its way to #1. At #7 was Candy Dulfer’s debut, Saxuality. Dulfer had already scored an international crossover hit alongside Eurythmics’ David A, Stewart with the instrumental “Lily Was Here,” which reached #11 on the Billboard Hot 100. Saxuality would reach #22 on the Billboard 200 and earn Dulfer a Grammy nomination. And at #11, saxophonist Warren Hill was beginning his career with his debut, Kiss Under the Moon.

Top Contemporary Jazz Albums

Week of October 12, 1991

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Michael Franks’ 1990 release Blue Pacific glowed with his trademark lyrical cleverness – playful turns of phrase and gentle humor wrapped in breezy storytelling. The album’s uncommon trio of producers: Jeff Lorber, Tommy LiPuma, and Walter Becker (yes, the Steely Dan Becker) each bring a distinct touch. The album’s opening track “The Art of Love” is a clear Lorber production and we played it a lot on the late night contemporary jazz radio show. No matter which producer is used, Franks will always sound unique, not just because of his voice but because of his uniqueness as a lyricist.

Top Contemporary Jazz Albums
Week of September 15, 1990

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Magic Touch, the debut recording from Stanley Jordan was spending its 11th week at the top of the chart on August 3, 1985. It would dominate the chart for a record 51 weeks. It was one of those rare instrumental recordings that went outside of jazz circles – Magic Touch was certified gold in the U.S., marking over 500,000 sales! It introduced the world to Jordan’s groundbreaking two-handed tapping technique, allowing him to perform melody, chords, and bass lines simultaneously on a single instrument.

The album features inventive takes on jazz standards like “’Round Midnight” and “A Child Is Born,” fresh interpretations of pop songs like “Eleanor Rigby” and “The Lady in My Life,” and Jordan’s own original compositions—all performed with dazzling precision and musicality.

Here are the top 15 recordings from the August 3, 1985 Billboard Top Jazz Chart:

Top Jazz Albums
Week of August 3, 1985

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