The GRP label was really rolling after MCA artists were moved to the label. That brought over Spyro Gyra (with the only Spyro Gyra release that said “featuring Jay Beckenstein”), Acoustic Alchemy, and Michael Brecker. I count eight GRP recordings in this top 20.

Of note, that Bob James recording, Grand Piano Canyon, was the birth of Fourplay with James, Lee Ritenour, Harvey Mason, and Nathan East on two tracks.

Also worth noting in the October 13 issue: George Benson debuted at #8 on Billboard’s Jazz Albums chart with Big Boss Band, his collaboration with the Count Basie Orchestra.

Top Contemporary Jazz Albums

Week of October 13, 1990

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The Manhattan Transfer went decidedly contemporary with The Offbeat of Avenues at #3. Jeff Lorber co-wrote and produced “10 Minutes Till the Savages Come,” David Pack and Michael McDonald helped write “A World Apart,” and Donald Fagen wrote “Confide in Me.” The album’s “Sassy” would go on to win the Grammy for Best Contemporary Jazz Performance. And check out the debuts: Fourplay’s self-titled first album was already at #6 on its way to #1. At #7 was Candy Dulfer’s debut, Saxuality. Dulfer had already scored an international crossover hit alongside Eurythmics’ David A, Stewart with the instrumental “Lily Was Here,” which reached #11 on the Billboard Hot 100. Saxuality would reach #22 on the Billboard 200 and earn Dulfer a Grammy nomination. And at #11, saxophonist Warren Hill was beginning his career with his debut, Kiss Under the Moon.

Top Contemporary Jazz Albums

Week of October 12, 1991

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Michael Franks’ 1990 release Blue Pacific glowed with his trademark lyrical cleverness – playful turns of phrase and gentle humor wrapped in breezy storytelling. The album’s uncommon trio of producers: Jeff Lorber, Tommy LiPuma, and Walter Becker (yes, the Steely Dan Becker) each bring a distinct touch. The album’s opening track “The Art of Love” is a clear Lorber production and we played it a lot on the late night contemporary jazz radio show. No matter which producer is used, Franks will always sound unique, not just because of his voice but because of his uniqueness as a lyricist.

Top Contemporary Jazz Albums
Week of September 15, 1990

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