The following were the top-selling contemporary jazz recordings in early July of 1990:
- Stanley Jordan – Cornucopia
- Najee – Tokyo Blue
- Basia – London Warsaw New York
- Patti Austin – Love Is Gonna Getcha
- Alex Bugnon – Head Over Heels
- Spyro Gyra featuring Jay Beckenstein – Fast Forward
- Dianne Reeves – Never Too Far
- Jonathan Butler – Deliverance
- George Howard – Personal
- Lonnie Liston Smith – Love Goddess
While researching jazz magazines for something else, I ran across this 1993 advertisement from the MoJazz label. MoJazz wanted to get your attention so they did a Model of the Month.
“Alicia is from Los Angeles, CA. This 5’10” Sagittarian enjoys horseback riding, stimulating conversation and romantic evenings listening to JAZZ. Her favorite Jazz Artists are ERIC REED and WAYNE JOHNSON.”
Sex sells and a barely dressed woman always gets my attention. But there is nothing about the new recordings from Eric Reed or Wayne Johnson except that Alicia likes them. Would Alicia go out with me if I bought those releases since they are her favorite? Is Alicia the model girlfriend of the ad designer and trying to get her noticed? Where is Alicia today? Does she still spend her evenings listening to jazz?
MoJazz was Motown’s jazz label that launched with the debut recording of Norman Brown’s Just Between Us in 1992.
Chick Corea turns 76 today. It’s hard to believe. I met Chick just a few weeks ago at the Kansas City Jazz & Heritage Festival. I don’t know many 76 year-old people but Chick seems to be a lot younger. He doesn’t sprint across the stage or anything but his fingers are as nimble as anyone’s and his enjoyment at playing is apparent. His constant drive to explore jazz, and often push it forward, is one of the reasons he is a jazz legend.
I helped the City of Kansas City, Missouri’s Office of Culture and Creative Services with this video interview at the Festival. Hope you enjoy.
One of the strongest songs I have in my contemporary jazz library is “Grace” from Nelson Rangell’s 1995 recording Destiny. Here’s what Nelson had to say about it in his liner notes from that release:
Grace has a few definitions. Among them is this one I’ve been thinking about: the giving of free and unmerited favor and love … that sure is nice to receive, and a pretty great thing to be able to give. When we extend grace to another, it can only help to make our collective road ahead easier in these complicated times -for truly wc arc all in this together, dependent on one another. Remember to try to “see” the ones beside you, and think of those far away in distant places.
Nelson revisited Grace in one of his latest albums. “Some Next Grace,” from his pop-jazz sax release Red, is a follow-up of sorts. I asked Nelson about grace. He replied:
I think we are in short supply right now…..”Some Next Grace” is a type of follow up and continuation on the theme of Grace. I think that we should try to reflect upon the profound idea and truth that we are often the recipients of Grace that we are hardly aware of, sometimes even totally unaware of. “Some Next Grace”, maybe seemingly almost mundane that actually changed our life early one morning or at 4:12 in the afternoon on a Thursday when by a second we didn’t step in front of a car or make a fateful move or decision for some unknown reason that changed everything, or never knew how close we came to a terrible accident or avoided getting terribly sick — never even having a clue. I hope I will be able to just feel more and proceed with more easy gratitude for each day, for the things I know and the things at work that I don’t. : – )
Get a taste of Kirk Whalum’s #LoveCovers with this EPK. Kirk uses a verse from 1 Peter as the genesis for the album: “…for love will cover a multitude of sins.” He expands on that, gospel music, and more. #LoveCovers arrives April 11.