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	<title>hiroshima Archives - ContemporaryJazz.com</title>
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		<title>Top Contemporary Jazz  &#8211; December 3, 1999</title>
		<link>https://contemporaryjazz.com/top-contemporary-jazz-december-3-1999</link>
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		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Mon, 02 Dec 2024 03:18:30 +0000</pubDate>
				<category><![CDATA[1999]]></category>
		<category><![CDATA[brian culbertson]]></category>
		<category><![CDATA[charts]]></category>
		<category><![CDATA[christmas]]></category>
		<category><![CDATA[contemporary jazz]]></category>
		<category><![CDATA[fourplay]]></category>
		<category><![CDATA[hiroshima]]></category>
		<category><![CDATA[holiday]]></category>
		<category><![CDATA[Brian Culbertson]]></category>
		<category><![CDATA[Dave koz]]></category>
		<category><![CDATA[jazz chart]]></category>
		<category><![CDATA[kenny g]]></category>
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					<description><![CDATA[<p>The top ten contemporary jazz recordings 25 years ago, ranked by ContemporaryJazz.com! As it was in the 1990s, Kenny G topped the chart. However, this week he had two recordings: his renditions of standards and his third holiday album. Other Christmas and holiday music were moving into the top 10, including a nice compilation from [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/top-contemporary-jazz-december-3-1999">Top Contemporary Jazz  &#8211; December 3, 1999</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The top ten contemporary jazz recordings 25 years ago, ranked by ContemporaryJazz.com! As it was in the 1990s, Kenny G topped the chart. However, this week he had two recordings: his renditions of standards and his third holiday album. Other Christmas and holiday music were moving into the top 10, including a nice compilation from Windham Hill, which had branched out from just a &#8220;new age&#8221; label to add contemporary jazz. <em>A Jazz Noel</em> had new holiday music from Michael Franks, Spyro Gyra, Ricky Peterson, Tom Grant, and Earl Klugh.</p>
<h2><img data-recalc-dims="1" fetchpriority="high" decoding="async" data-attachment-id="4330" data-permalink="https://contemporaryjazz.com/chart-april-17-1994/image" data-orig-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?fit=1800%2C1776&amp;ssl=1" data-orig-size="1800,1776" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Image" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?fit=1024%2C1010&amp;ssl=1" class="alignright size-medium wp-image-4330" src="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?resize=300%2C296&#038;ssl=1" alt="collage of 1999 contemporary jazz and holiday album covers from Dave Koz, Kenny G, Hiroshima, Take 6, Brian Culbertson and more." width="300" height="296" srcset="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?resize=300%2C296&amp;ssl=1 300w, https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?resize=1024%2C1010&amp;ssl=1 1024w, https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?resize=768%2C758&amp;ssl=1 768w, https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?resize=1536%2C1516&amp;ssl=1 1536w, https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2024/04/Image.png?w=1800&amp;ssl=1 1800w" sizes="(max-width: 300px) 100vw, 300px" /></h2>
<h2>Top Contemporary Jazz for the <br />Week of December 3, 1999:</h2>





<ol class="wp-block-list">
<li>Kenny G, <em>Faith: A Holiday Album</em></li>
<li>Fourplay, <em>Snowbound</em></li>
<li>Kenny G, <em>Classics in the Key of G</em></li>
<li>Windham Hill Jazz Artists, A<em> Jazz Noel</em></li>
<li>Hiroshima, <a href="https://contemporaryjazz.com/review-hiroshima-between-black-and-white"><em>Between Black and White</em></a></li>
<li>Dave Koz, <em>The Dance</em></li>
<li>Take 6, <em>We Wish You A Merry Christmas</em></li>
<li>Various Instinct Label Artists, <em>This Is Smooth Jazz</em> </li>
<li>Yada Yada, <em>Fingalikkin&#8217; Good</em></li>
<li>Brian Culbertson, <em>Somethin&#8217; About Love</em></li>
</ol>
<p>Listen to music from these recordings on this YouTube playlist or on Apple Music:</p>
<p><iframe class="youtube-player" width="1140" height="642" src="https://www.youtube.com/embed?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PLRAVUv3XdtIYaD0xbAaK7gkALeIEbCzD9" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p>
<p><iframe style="width: 100%; max-width: 660px; overflow: hidden; background: transparent;" src="https://embed.music.apple.com/us/playlist/top-contemporary-jazz-december-3-1999/pl.u-jZLJCV3KrP" height="450" frameborder="0" sandbox="allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation"></iframe></p><p>The post <a href="https://contemporaryjazz.com/top-contemporary-jazz-december-3-1999">Top Contemporary Jazz  &#8211; December 3, 1999</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4328</post-id>	</item>
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		<title>Top Contemporary Jazz Albums &#8211; January 1998!</title>
		<link>https://contemporaryjazz.com/top-contemporary-jazz-albums-january-1998</link>
					<comments>https://contemporaryjazz.com/top-contemporary-jazz-albums-january-1998#respond</comments>
		
		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Thu, 26 Jan 2023 20:39:24 +0000</pubDate>
				<category><![CDATA[1988]]></category>
		<category><![CDATA[charts]]></category>
		<category><![CDATA[hiroshima]]></category>
		<category><![CDATA[pat metheny]]></category>
		<category><![CDATA[spyro gyra]]></category>
		<category><![CDATA[Billboard Contemporary Jazz Chart]]></category>
		<category><![CDATA[george benson]]></category>
		<category><![CDATA[kenny g]]></category>
		<category><![CDATA[spyro gyro]]></category>
		<guid isPermaLink="false">https://contemporaryjazz.com/?p=3898</guid>

					<description><![CDATA[<p>Here were the best-selling contemporary jazz albums according to the January 23, 1988 issue of Billboard magazine! Hiroshima, Go Spyro Gyra, Stories Without Words Pat Metheny Group, Still Life (Talking) Dianne Reeves, Dianne Reeves Fattburger, Good News Jean-Luc Ponty, The Gift of Time George Benson / Earl Klugh, Collaboration Kenny G, Duotones Larry Carlton, Discover [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/top-contemporary-jazz-albums-january-1998">Top Contemporary Jazz Albums &#8211; January 1998!</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Here were the best-selling contemporary jazz albums according to the January 23, 1988 issue of Billboard magazine!</p>
<ol>
<li>Hiroshima, <em>Go</em></li>
<li>Spyro Gyra, <em>Stories Without Words</em></li>
<li>Pat Metheny Group, <em>Still Life (Talking)</em></li>
<li>Dianne Reeves, <em>Dianne Reeves</em></li>
<li>Fattburger, <em>Good News</em></li>
<li>Jean-Luc Ponty, <em>The Gift of Time</em></li>
<li>George Benson / Earl Klugh, <em>Collaboration</em></li>
<li>Kenny G, <em>Duotones</em></li>
<li>Larry Carlton, <em>Discover</em></li>
<li>The Manhattan Transfer, <em>Brasil</em></li>
</ol>
<p>The post <a href="https://contemporaryjazz.com/top-contemporary-jazz-albums-january-1998">Top Contemporary Jazz Albums &#8211; January 1998!</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">3898</post-id>	</item>
		<item>
		<title>Hiroshima &#8211; Departure</title>
		<link>https://contemporaryjazz.com/hiroshima-departure</link>
					<comments>https://contemporaryjazz.com/hiroshima-departure#comments</comments>
		
		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Fri, 20 Apr 2012 02:11:50 +0000</pubDate>
				<category><![CDATA[hiroshima]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[contemporary jazz]]></category>
		<category><![CDATA[east meets west]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[koto]]></category>
		<category><![CDATA[shoji]]></category>
		<category><![CDATA[taiko]]></category>
		<category><![CDATA[world jazz]]></category>
		<guid isPermaLink="false">http://www.contemporaryjazz.com/?p=2155</guid>

					<description><![CDATA[<p>Review of the contemporary jazz recording Departure by Hiroshima by John Hilderbrand I stopped writing reviews a few years ago. One of the major reasons is that I just didn&#8217;t have any new things to say. Fortunately, Hiroshima doesn&#8217;t have that problem. The group, led by Dan Kuramoto, continues to make their own East Meets [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/hiroshima-departure">Hiroshima &#8211; Departure</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="alignright" style="padding-left: 10px;"></div>
<p>Review of the contemporary jazz recording <em>Departure</em> by Hiroshima by John Hilderbrand</p>
<p><a href="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2012/04/hiroshima_2012.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" data-attachment-id="2166" data-permalink="https://contemporaryjazz.com/hiroshima-departure/hiroshima_2012" data-orig-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2012/04/hiroshima_2012.jpg?fit=200%2C160&amp;ssl=1" data-orig-size="200,160" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="the contemporary jazz band Hiroshima" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2012/04/hiroshima_2012.jpg?fit=200%2C160&amp;ssl=1" class="alignright size-full wp-image-2166" src="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2012/04/hiroshima_2012.jpg?resize=200%2C160&#038;ssl=1" alt="the contemporary jazz band Hiroshima" width="200" height="160" /></a>I stopped writing reviews a few years ago. One of the major reasons is that I just didn&#8217;t have any new things to say. Fortunately, Hiroshima doesn&#8217;t have that problem. The group, led by Dan Kuramoto, continues to make their own East Meets West contemporary jazz. <em>Departure</em>, their 18th recording, is defined by its title. They are releasing this on their own. No record label marketing push or anything like that. They&#8217;re an indie band.</p>
<p>&#8220;Why Departure? Where do I begin? After more than 30 years in the recording industry &#8212; and almost four million records sold – we&#8217;ve decided to leave record companies behind and venture on our own,&#8221; Kuramoto explains. &#8220;It’s kinda scary, but given the changes in the music industry and what it’s now going to take for us to survive, we are moving toward direct contact with the community.&#8221;</p>
<p><a href="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2004/11/hiroshima_2003.jpg?ssl=1"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1854" data-permalink="https://contemporaryjazz.com/review-spirit-of-the-season-from-hiroshima/hiroshima_2003" data-orig-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2004/11/hiroshima_2003.jpg?fit=100%2C100&amp;ssl=1" data-orig-size="100,100" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="album cover to Departure by Hiroshima" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2004/11/hiroshima_2003.jpg?fit=100%2C100&amp;ssl=1" class="alignright size-full wp-image-1854" src="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2004/11/hiroshima_2003.jpg?resize=100%2C100&#038;ssl=1" alt="album cover to Departure by Hiroshima" width="100" height="100" /></a>What about the music? Kuramoto breaks it down: &#8220;It is a new beginning for us in many ways. The songs are all originals with just one guest artist, the incredible harmonica player Tetsuya &#8220;Tex&#8221; Nakamura, featured on the luscious opening track, &#8220;Have You Ever Wondered,&#8221; composed by June and Kimo. &#8220;Koto Cruise&#8221; is the second song and features a funky groove and a burning koto solo. &#8220;Blues for Sendai&#8221; is just that. There&#8217;s a tribute to our friend and mentor James Moody, who passed last December. It’s called &#8220;See You Again,&#8221; and there is a lot of &#8216;quoting&#8217; from his &#8220;Moody’s Mood for Love.&#8221; After many years of requests, we have recorded our first full-on taiko solo ever, &#8220;Yamasong&#8221;&#8211;a live recording that really captures Shoji and Danny&#8217;s fierce interplay. &#8220;First Nation,&#8221; a composition by the Hawaiian Kimo Cornwell, is a powerhouse of a song embracing many cultures, as does our reincarnation of &#8220;Thousand Cranes.&#8221; The CD ends with a soulful version of &#8220;One Wish,&#8221; done as an acoustic trio.&#8221;</p>
<p>Consistent quality, a distinct sound, and longevity = win. If I were creating a Contemporary Jazz Hall of Fame, Hiroshima would certainly be an early inductee.</p>
<p>The post <a href="https://contemporaryjazz.com/hiroshima-departure">Hiroshima &#8211; Departure</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
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