barney mccall

Josh Roseman’s latest recording is horn-driven, funked out, spacey reggae with a dose of dub tossed in for good measure. Roseman’s trombone, whether it’s straight and buttery, muted, electrified, or chorused is front and center on all the tunes. Like his two earlier recordings, Cherry and the very excellent Treats For The Nightwalker, New Constellations…