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	<title>b3 Archives - ContemporaryJazz.com</title>
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	<title>b3 Archives - ContemporaryJazz.com</title>
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		<title>Review: The Dixon-Rhyne Project &#8211; Reinvention</title>
		<link>https://contemporaryjazz.com/review-the-dixon-rhyne-project-reinvention</link>
					<comments>https://contemporaryjazz.com/review-the-dixon-rhyne-project-reinvention#respond</comments>
		
		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Sun, 22 Jun 2008 22:35:09 +0000</pubDate>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[b3]]></category>
		<category><![CDATA[Fareed Haque]]></category>
		<category><![CDATA[hammond]]></category>
		<category><![CDATA[Kenny Phelps]]></category>
		<category><![CDATA[Melvin Rhyne]]></category>
		<category><![CDATA[organ]]></category>
		<category><![CDATA[Rob Dixon]]></category>
		<guid isPermaLink="false">http://208.76.81.101/~contempo/?p=337</guid>

					<description><![CDATA[<p>Hammond B-3 master Melvin Rhyne garnered himself a place in jazz history for his work with the legendary Wes Montgomery. Thus it was with caution that saxophonist Rob Dixon approached him about creating and recording a modernized approach to the jazz organ quartet. This Reinvention was to take place with the help of drummer Kenny [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/review-the-dixon-rhyne-project-reinvention">Review: The Dixon-Rhyne Project &#8211; Reinvention</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" decoding="async" data-attachment-id="712" data-permalink="https://contemporaryjazz.com/review-the-dixon-rhyne-project-reinvention/dixonrhyneproject" data-orig-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2008/07/dixonrhyneproject.jpg?fit=75%2C75&amp;ssl=1" data-orig-size="75,75" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Reinvention from the Dixon Rhyne Project" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2008/07/dixonrhyneproject.jpg?fit=75%2C75&amp;ssl=1" src="https://i0.wp.com/s667080041.onlinehome.us/wp-content/uploads/2008/07/dixonrhyneproject.jpg?resize=75%2C75" alt="" title="Reinvention from the Dixon-Rhyne Project" width="75" height="75" class="alignright size-full wp-image-712" />Hammond B-3 master Melvin Rhyne garnered himself a place in jazz history for his work with the legendary Wes Montgomery. Thus it was with caution that saxophonist Rob Dixon approached him about creating and recording a modernized approach to the jazz organ quartet. This <i>Reinvention</i> was to take place with the help of drummer Kenny Phelps and the renowned player and instructor of guitar Fareed Haque (Garaj Mahal). To Dixon&#8217;s pleasant surprise Rhyne was receptive to the idea and the Dixon-Rhyne project was born. From start to finish the disc presents the listener with an energetic groove that&#8217;s clearly captured on tracks such as &#8220;Mind’s Eye&#8221; and &#8220;Fantastic Prizes&#8221;. I particularly enjoyed the drum &#8216;n bass number &#8220;Shadow and Light&#8221; which features Rhyne on the Mini-Moog along with some fantastic tenor work by Dixon. Another standout is the fusion scorcher &#8220;Tomorrow Sierra&#8221; on which Haque shines on electric guitar. The disc also includes a soulful cover of Kenny Burrell’s &#8220;Chit’lins Con Carne&#8221; as well. While it might be tempting to write this off as just another organ quartet outing, <i>Reinvention</i> is anything but. If you&#8217;re looking for a fresh perspective on the traditional organ quartet be sure to give this one a listen.</p>
<p><a href="http://www.amazon.com/dp/B001AWUC8C?tag=contemporaryjazz-20&#038;camp=0&#038;creative=0&#038;linkCode=as1&#038;creativeASIN=B001AWUC8C&#038;adid=1M8VNBTRSQPN777975NW&#038;" target="_jazz"><img data-recalc-dims="1" decoding="async" src="https://i0.wp.com/www.contemporaryjazz.com/images/icon_buyCD.gif?w=1140" alt="Support ContemporaryJazz.com by buying this CD through Amazon.com" align="left" valign="bottom" border="0"></a> Buy the CD at <a href="http://www.amazon.com/dp/B00168X0Q6?tag=contemporaryjazz-20&#038;camp=0&#038;creative=0&#038;linkCode=as1&#038;creativeA" target="_jazz">Amazon.com</a></p>
<p>The post <a href="https://contemporaryjazz.com/review-the-dixon-rhyne-project-reinvention">Review: The Dixon-Rhyne Project &#8211; Reinvention</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
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