SAXOPHONE LEGEND DAVID SANBORN TO PARTICIPATE IN A SPECIAL eBAY AUCTION TO BENEFIT THE VH1 SAVE THE MUSIC FOUNDATION
(NEW YORK, NY) – Maverick saxophonist David Sanborn has performed alongside such heavyweights as James Brown, Eric Clapton, Stevie Wonder, Bruce Springsteen, David Bowie, and innumerable others. Sanborn is stepping up in support of young musicians across the country, participating in two exclusive auctions to benefit the VH1 Save The Music Foundation, which repairs, purchases, and donates instruments for public school music programs.
Beginning on October 14th and closing on October 24th on eBay.com. The auction boasts two tickets to any one of Sanborn’s upcoming tour dates (listed below), a meet and greet with Sanborn, and an autographed copy of Sanborn’s acclaimed new CD Here and Gone (Decca).
Tuesday, August 12, is a big day for contemporary jazz fans. It’s the day that several legends will drop new music – and all of them on two recordings. In fact, four of the five artists who were on the Legends tour about a decade ago are on them.
David Sanborn is back with an album that likely will serve as a highlight in his career. What upfront was to funk, Here and Gone might be to soul and blues. Sanborn pays homage to the music that inspired him, especially the music of Hank Crawford. “Hank was the great saxophonist and arranger for Ray Charles in the 1950s and early ’60s, and his arrangements and playing were central to me in forming my ideas about what music was and should be,” states Sanborn. “He had such a wonderful economy in what he did: He didn’t waste any notes, and there was nothing superfluous about his playing.” To help realize the vision he had for this recording, the saxman brought in some names: Christian McBride and Steve Gadd are the rhythm section and Eric Clapton sings and plays “I’m Gonna Move to the Outskirts of Town.” Also contributing are Joss Stone, Sam Moore, Gil Goldstein, Russell Malone, and Wallace Roney. I didn’t receive an advance on Here and Gone but I did hear three cuts. I don’t know if it’s a word but I’m describing it as “rootsy.” I mean, it’s Sanborn playing the style that influenced him, and it doesn’t sound like it’s a slick, overly polished record. Rootsy.
JL: Marcus, first of all, thank you for taking the time to speak with me this afternoon about your latest recording, Marcus. How do you decide when it’s time to enter the studio to record a new project?
MM: Well, for me, because I’ve got so many things going on, the way I decide to start a new one is when I’m finished with the last one. It takes me so long to finish a project because I’m doing movies, I’m all over the world, on the road, so I really have to start early, and it takes me about a year to put it all together.