George Duke says he “stretched a little more into the funk area on this one because I had so many people ask me to.” Think he’s kidding? The first half of Is Love Enough?, which is much more like his previous Warner Bros. albums Snapshot and Illusions than last year’s Muir Woods Suite, is heavy on the funk and slow jams. On the opening of “Kinda Low,” Duke, bassist Byron Miller, and drummer Ndugu Chancler declare “Once ya funky, ya always funky!” The groove is deep, with the sole exception of the sweet “Fill the Need.” Duke gets jazzier after the instrumental “Time and Space” interlude (futuristic instrumentals open and close the album). After Duke’s uptempo “Back in the Day” instrumental, he lets Jonathan Butler and Dianne Reeves take over “This Place I Call Home.” Dori Caymmi is featured on “Whatever Happened To…” Duke pulls in many of his frequent partners, including Everette Harp, Rachelle Ferrell, Phil Perry, and George Howard. Also appearing on the album are Doc Powell and Norman Brown. Of his fellow musicians, Duke says “each of you brought gourmet dishes to the musical table.” Is Love Enough? features a table with equal portions of funk and contemporary jazz. Whether you enjoy one or the other, or both, you’ll feel satisfied.
Zachary Charles Breaux died February 20, 1997 after attempting to save a drowning woman in the ocean off Miami Beach. According to the Associated Press, Breaux suffered a heart attack after being brought to shore. The woman also died. Breaux had previously saved a man from drowning, while on tour in Italy in 1988.
Zachary Breaux was born in Port Arthur, Texas. He began playing guitar at the age of 11 after practicing the clarinet for two years. His interest in jazz was inspired by his high school band director. He majored in Music Composition at North Texas State University, where he enjoyed listening to Wes Mongomery, Charlie Christian, and Dizzy Gillespie. He played with musicians such as Noel Pointer, Ronnie Laws, Jon Lucien, and most notably Roy Ayers, which whom Breaux would perform through 1993 when he decided to embark on a solo career. Breaux’s playing was brought to the attention of NYC Records president Mike Mainieri, who promptly asked Breaux to contribute a track to the Beatles guitar tribute album he was releasing. Mainieri released Breaux’s first two solo albums on NYC. The first, released in 1993, was an album recorded at Ronnie Scott’s Club in London. Groovin’ featured Breaux originals and compositions by other writers, as well as an acid jazz version of John Coltrane’s “Impressions.” The follow-up album, Laid Back, was released the following year. Breaux had recently resurfaced on Zebra Records, where his album, Uptown Groove, has been performing very well.
Mainieri had said of Breaux, “I’ve personally had the pleasure of performing with Wes Montgomery, Kenny Burrell and George Benson, and Zachary’s own ‘voice’ on the guitar keeps the lineage alive with eloquence and passion.”
Zachary Breaux is survived by his wife, Frederica, and three daughters, ages 14, 12 and 6, as well as six brothers and sisters and his parents.