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In the last three weeks, I added over two dozen new selections to the playlist. Among the tracks are cuts from the latest CDs by Maysa (with Global Noize), S.M.V. (Stanley Clarke, Marcus Miller, Victor Wooten), and John Beasley (from his Letter to Herbie). The weather dropped to below freezing last week so I uploaded Diana Krall’s rendition of Michael Franks’ “Popsicle Toes” as well as Jimmy Smith’s “Jingle Bells.” Of course, there’s more of the acid jazz and nu jazz I love the best, like St. Germain, Praful, and Groove Collective.

Review: Thunder from Stanley Clarke, Marcus Miller, and Victor Wooten

Thunder. Rhythmic, melodic, rock you out, funk you up. Thunder! Back in the spring when I interviewed Marcus Miller, I asked him what was in the pipeline. He mentioned that there was a bass trio recording that he Stanley and Victor were working on – and oh what a recording it’s turned out to be. I can’t imagine a better name for this all-star collaboration between these three Bass Masters of the Universe. The thunderous power that is conjured up by SMV is awe-inspiring, not just in the low and middle registers, but in the compositions and arrangements as well. This isn’t some ego driven free-for-all that’s all chops and no meat. In my opinion, it’s the compositions that drive this recording, with each bassist unselfishly contributing for the benefit of the whole. I have to admit that of the three players, I’m least familiar with Victor Wooten; but I was easily able to identify each distinctive voice, in fact, this is probably the best setting I’ve heard Stanley play in in quite sometime. To have three of today’s leading bassists, each of which bring much more to the table than just being a recording artist, creating such a cohesive project, speaks volumes of their talents and obvious kinship. One could only hope that this doesn’t end up being a one-off project. Also, kudos to Heads Up for having the guts to release this project, in a year that has been extremely lean for anything remotely approaching quality jazz, yet alone fusion. One last opinion if I may: I’ve purchased maybe five actual physical CDs this year, but I’ve purchased at least 60 downloadable, complete jazz recordings thus far. How come they don’t come with downloadable digital booklets?

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