The mighty Q turns 84 today. The term “living legend” was created for individuals like him. Here is Quincy Jones conducting a live version of “Setembro (Brazilian Wedding Song)” which was originally on the Back on the Block recording.
On March 11, 1997, the first recording from the new i.e. music label was released. The album was an all-star tribute to the music of Antonio Carlos Jobim called A Twist of Jobim. The label was co-founded by Lee Ritenour, JAZZIZ publisher Michael Fagien, and label operator Mark Wexler.
So what made Rit want to go out on his own after a lengthy stay at GRP? “In this day and age where thousands of records are released in a given year, I wanted more control over my music and destiny,” Lee Ritenour told Billboard in May 1998. “To have a successful record, you need great music and a great record company. If you have one without the other, it never works. With jazz, you need a team that understands the music and the marketing and promotion that goes with it.”
Captain Fingers was also excited about nurturing new talent. “I’ve been making music for 25 or 30 years. I wanted to give the talents and experience that I’ve been fortunate to develop back to some young artists.”
i.e. music issued a number of recordings in a little more than a year, including two Eric Marienthal discs and Ritenour’s This Is Love solo recording. The next “Twist of…” recording was A Twist of Marley on the GRP label in 2001.
Here are the top selling contemporary jazz recordings as listed by Billboard on March 2, 2002. The Pat Metheny Group’s Speaking of Now debuted at #1.
One of my favorite recordings of all time is Jazz in the Present Tense by the Solsonics. It came out in early 1994 and I love every song, every arrangement, the tight sound, the playing…everything came together for me on that. Nearly 25 years later, it hasn’t aged at all.
Like everything else you love, you can’t get enough of it. Other than some work on Guru’s second Jazzmatazz recording, that was it for the Solsonics. Or so I thought. I recently did some searching since there is always something new on the web. And I found something.
Solsonics founders Jez Colin and Willie McNeil appear to have penned “Yellow Butterfly” for a band called The Party. The track was produced by the Solsonics for that band’s 1993 farewell release, The Party’s Over…Thanks for Coming. The song sure sounds like it came out of the Jazz in the Present Tense recording sessions. It is the unmistakable Solsonics vibe. I love it.
I don’t see a way you can buy the track digitally. Fortunately, it’s on YouTube. Listen and enjoy: