The CD has been out for a month, but if you haven’t picked up the Dave Weckl Band’s Perpetual Motion CD, you’re missing out on another good release by this consistent group. Weckl and his band always put out a great collection of jammin’ tunes. The group has seemed to make any easy transition from keyboardist/composer Jay Oliver (Dave’s longtime collaborator) to Steve Weingart. Weingart really makes his presence known on Perpetual Motion, writing or co-writing all of the music except for Brandon Fields’ “Skipper”. Bassist Tom Kennedy completes the quartet and co-wrote the kickin’ final track “Tiempo de Festival”.
This is the first CD that I can recall that has the band utilizing wordless vocals. Hussain Jiffry and Sanjay Divecha really add a new and welcome element to “Mesmer-Eyes” and “Child’s Play” (the latter features Dave’s little girl, Claire, making her singing debut). The horn trio of Jerry Hey, Gary Grant, and Bill Reichenbach make their mark, joining Fields on three songs, including the first track “Double Up”. Congratulations to the band on another job well done.
Marcus Miller is releasing what he calls an “Official Bootleg CD”. The Ozell Tapes features performances from Marcus’ 2002 tour with no remixing or editing. Having seen a show on the tour, I can guarantee you that finding this CD will be worth your while. It should already be out in Japan and will be in Europe and available for ordering online later this week. For more information and updates, check out Edi Weitz’s MarcusMiller.com site, where Marcus contributes frequently. . . Stanley Jordan‘s 1985 release, Magic Touch, was certified gold on August 27, meaning that it has sold over 500,000 copies. . . The jazz/gospel fusion that Kirk Whalum displayed on his underappreciated Gospel According to Jazz, Chapter One will be back for a second volume. The Gospel According to Jazz, Chapter Two will be in stores on October 29. George Duke and Paul Jackson, Jr. return and are joined by Jonathan Butler. The CD was recorded live and KirkWhalum.com reports that a DVD/VHS version should be coming soon.
After God knows how many albums, Bob James still has a few surprises up his sleeve. You’ll hear it the second you put in his upcoming CD Morning, Noon & Night. That’s not skipping – that’s the awesome scratches of Rob Swift. Unfortunately, it’s the only track that features Rob. The rest of the CD features of a variety of music, from smooth jazz to acoustic sounds. However, I insist that Bob do a whole CD of music that sounds like “Street Smart”. The CD hits stores on September 24.
“I always thought someday I’m gonna do a different kind of record. I’m gonna do a record that has more electric textures, that has wider sonic variety, I’m gonna do a record that relies more heavily on other sorts of rhythms – not just swing-bass rhythms but more backbeat rhythms… But it took me ten years to do a record like and I’ve finally done it and I’m so happy with it. It was a risk and it was a challenge but it’s been very rewarding for me.” That’s Joshua Redman talking about his new CD, Elastic, which is out tomorrow. Redman’s Elastic Band consists of Sam Yahel on multiple keyboards and Brian Blade on drums (the same group also composes YaYa3, who released their self-titled album earlier this summer). Joshua says that this music is more his own than any other music he’s ever written and that it has more of a personal identity ot it. After listening to this CD, it sounds like he’s a guy I want to get to know better.
I was wondering this when I saw it popping up on music stores’ upcoming releases jazz list. I was glad I looked into it. Turns out this is one of the side projects of Liquid Soul’s Mars Williams. It’s a free jazz project that sounds like something fans of modern jazz will want to try out.
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