In Praise of Liquid Soul

I saw Liquid Soul in concert at the Kansas City Blues and Jazz Festival three years ago. I had never heard of the band before. My wife and I were sitting on the lawn enjoying the day of music when the group hit the stage around 6 p.m. I wasn’t sitting after about 30 seconds. The sheer power of the sound this funk ensemble put forth was unbelievable. Brassy horns, deep bass, jazz guitar, DJ – this was a tight group and knew how to lay out a groove and work the crowd. Two minutes into the show, I gave my wife some money and asked her to buy every Liquid Soul thing she could find. It remains one of the top concerts that I have ever seen.

Liquid Soul - EvolutionThough there’s nothing like seeing them live, the band’s new CD, Evolution doesn’t hold anything back. You’ll hear it from the start, with the punchy “Action Jackson”. You’ll be dancing to “I Was Meant To Be Rich.” You’ll be jumping around the room when James “Squeeze” Taylor hands off his rap to the horns on “Soul.” The band keeps the music moving, rarely slowing down (it sounds like an attempt at a slower tempo was made on “Bossa Interlude” but that’s scratched at under a minute). The only problem is that I can’t listen to the CD at work since I end up spinning around in my chair and unable to focus on my projects.

Do yourself a favor and see Liquid Soul live. They’ll be in Iowa, Colorado, Utah, and their home state of Illinois (the band hails from Chicago) the rest of this month and the tour continues through next month.

News Bits: Marcus Miller, Stanley Jordan, Kirk Whalum

Marcus Miller is releasing what he calls an “Official Bootleg CD”. The Ozell Tapes features performances from Marcus’ 2002 tour with no remixing or editing. Having seen a show on the tour, I can guarantee you that finding this CD will be worth your while. It should already be out in Japan and will be in Europe and available for ordering online later this week. For more information and updates, check out Edi Weitz’s MarcusMiller.com site, where Marcus contributes frequently. . . Stanley Jordan‘s 1985 release, Magic Touch, was certified gold on August 27, meaning that it has sold over 500,000 copies. . . The jazz/gospel fusion that Kirk Whalum displayed on his underappreciated Gospel According to Jazz, Chapter One will be back for a second volume. The Gospel According to Jazz, Chapter Two will be in stores on October 29. George Duke and Paul Jackson, Jr. return and are joined by Jonathan Butler. The CD was recorded live and KirkWhalum.com reports that a DVD/VHS version should be coming soon.

What Is XMarsX?

I was wondering this when I saw it popping up on music stores’ upcoming releases jazz list. I was glad I looked into it. Turns out this is one of the side projects of Liquid Soul’s Mars Williams. It’s a free jazz project that sounds like something fans of modern jazz will want to try out.
Continue reading “What Is XMarsX?”

George Duke Goes Indie

George Duke - Face the MusicIt’s the year of major modern jazz artists striking out on their own. Branford Marsalis released Footsteps of Our Fathers earlier this year on his own label, Marsalis Music. Now George Duke has released his first album on his label, BPM (Big Piano Music). Face the Music was released September 3 and consists of mostly instrumentals. “The basic idea for this project was to use the same rhythm section for the entire album,” Duke says. “Though there are horns and vocals in spots, the rhythm section is the focus and identity of the music.” The rhythm section consists of Christian McBride and John Roberts.
Continue reading “George Duke Goes Indie”

Joshua Redman Quote

I read a quote from Joshua Redman in a recent Borders magazine. I thought it was appropriate for the first entry at this site.

“Jazz is going in all different directions now, and most are wonderful. There are great musicians with really original things to say. The music is in a really wonderful, creative time. Jazz is mixing with other forms of music, but there is no one next step.

We have to stop seeing the development of jazz – or the development of any art – in this kind of linear progression. Each step is a little bit higher than the one before. There’s always a next obvious step, which represents obvious progress and linear evolution from what came before. That’s a very modernist conception and it’s worked for a long time. But I think this is more of a postmodern age. It’s less about the next big thing or the next logical extension of what’s happening. It’s more about all these different possible creative avenues that are being explored.”
Continue reading “Joshua Redman Quote”