Incognito founder Jean-Paul “Bluey” Maunick has joined forces with guitarist Jim Mullen to resurrect Citrus Sun. The new, mostly instrumental recording, People of Tomorrow, is available in the U.S. on March 17.
Bluey elaborates on the light and breezy feel of People of Tomorrow: “In terms of sound it is also more sparse as it features the sole trumpet reminiscent of the late Donald Byrd, and there is a cool Latin jazz flavor on some of the cuts. The distinctive sound of Jim Mullen’s thumbing guitar brings a tonal quality that is very different to Incognito, but at times it is obvious that this is the Incognito rhythm section and for that we make no excuses, instead celebrating the fact that this is a new project by the same band with me at the helm”.
Dianne Reeves returns to music stores today with her new recording, Beautiful Life. As she mentions in her YouTube introduction, “It’s been about, what, five years since I’ve been in the studio. In that five years, I’ve lived a lot of life.” She’s got some all-stars joining her: Robert Glasper, Gregory Porter, Richard Bona, Terri Lyne Carrington, Lalah Hathaway, Esperanza Spalding and the late George Duke.
Marcus Miller recently posted on Facebook what he’s been up to:
Finishing Alex Han’s first album, started work on Al Jarreau’s tribute to George Duke last week, writing for David Sanborn and myself.
Don’t know about you but that sounds like a whole lot of awesome to me!
I remember David Sanborn dedicated each of his recordings to his son Jonathan Sanborn. Looks like Jonathan is a bassist and has given David a couple of granddaughters! Check out this intimate video of the Sanborn men playing “Isn’t She Lovely?” in David’s home studio.
Scott Wilkie has a new holiday recording called The Wonder of Christmas. It’s solo acoustic piano renditions of all of your seasonal favorites. And by “all,” I mean all. With 17 covers of the classics, you’ll find several that you’ll have on your Christmas playlist.
I remember being impressed by Scott’s first recording, Boundless, nearly 15 years ago. I wrote on this site on February 19, 1999:
Missing the pop-jazz sound of the 80s and early 90s? Check out Boundless, the debut from keyboardist Scott Wilkie. Wilkie’s music reminds me of the contemporary jazz piano CDs that I heard when I first started listening to the genre in 1989 or so – works by David Benoit, Tom Grant, and Alex Bugnon. I wouldn’t rule out a Rippingtons influence (especially in the compositions), especially since former Ripps Steve Reid and Jeff Kashiwa, as well as main man Russ Freeman, play on the release. Wilkie doesn’t hold back on the uptempo jams either, which you’ll notice from the start.
Scott is on Facebook and Twitter.