One constant in the contemporary jazz world is the planning and reliable execution of Heads Up recordings. I just got the list for 2009 and it’s another winner for contemporary jazz fans. I’ll elaborate more in later posts but here’s what’s on the schedule:
Incognito – More Tales Remixed – remixes of songs from the latest Incognito release;
Ladysmith Black Mambazo – Live;
Walter Beasley – Free Your Mind
Joe Zawinul – 75 – two-disc live set;
Pieces of a Dream – Soul Intent;
Mike Stern – New Morning The Paris Concert;
The Bad Plus Joined by Wendy Lewis – For All I Care
Marion Meadows – TBD;
Chuck Loeb – Between 2 Worlds;
Yellowjackets – New Morning The Paris Concert
Candy Dulfer; Hiroshima
Spyro Gyra; Zap Mama; Stanley Clarke/Hiromi/Lenny White
Alexander Zonjic, Andy Narell
Najee; Mike Stern; Joe Zawinul DVD
Take 6 – a new holiday recording
Looked outside the window lately? The forecast for Weather Report fans has been sunny this month. On October 1, the two-CD set Live and Unreleased hit stores. Performances from 1975 to 1983 are captured in the collection and you’ll find all of the group’s signature songs. The release was produced with the full cooperation of Joe Zawinul and Wayne Shorter, making this the first official Weather Report album in over 15 years.
Joe’s new solo release, Faces and Places made its U.S. debut in mid-September. The CD is the perfect blending of world music and jazz. You won’t believe that Joe is 70 years of age when you hear how this music moves. Joe’s plugged-in sound, combined with the world influences, makes for one of the best jazz listening experiences this year.
Faces and Places is out on ESC Records, which is also releasing Victor Bailey’s new solo effort in the U.S. this week. Victor was Weather Report’s bassist when the group dissolved in the mid-80s but continued his relationship with Joe in the Zawinul Syndicate and beyond. That’s Right has a top-notch band – Omar Hakim, Bill Evans, Jim Beard, Dean Brown, Lenny White, and Bennie Maupin. I haven’t heard the CD, but I’ve very interested in one of the tracks that ESC’s web site describes. On “Black on the Bach,” Bailey overdubs four tracks of interlocking bass parts – arpeggios, solos, counterpoint, call-and-response -to merge J.S. Bach and the blues. That, in addition to Bailey’s established playing ability and the calibre of other musicians on this CD, will make me consider buying this CD without even a sample listen.