After God knows how many albums, Bob James still has a few surprises up his sleeve. You’ll hear it the second you put in his upcoming CD Morning, Noon & Night. That’s not skipping – that’s the awesome scratches of Rob Swift. Unfortunately, it’s the only track that features Rob. The rest of the CD features of a variety of music, from smooth jazz to acoustic sounds. However, I insist that Bob do a whole CD of music that sounds like “Street Smart”. The CD hits stores on September 24.
“I always thought someday I’m gonna do a different kind of record. I’m gonna do a record that has more electric textures, that has wider sonic variety, I’m gonna do a record that relies more heavily on other sorts of rhythms – not just swing-bass rhythms but more backbeat rhythms… But it took me ten years to do a record like and I’ve finally done it and I’m so happy with it. It was a risk and it was a challenge but it’s been very rewarding for me.” That’s Joshua Redman talking about his new CD, Elastic, which is out tomorrow. Redman’s Elastic Band consists of Sam Yahel on multiple keyboards and Brian Blade on drums (the same group also composes YaYa3, who released their self-titled album earlier this summer). Joshua says that this music is more his own than any other music he’s ever written and that it has more of a personal identity ot it. After listening to this CD, it sounds like he’s a guy I want to get to know better.
I was wondering this when I saw it popping up on music stores’ upcoming releases jazz list. I was glad I looked into it. Turns out this is one of the side projects of Liquid Soul’s Mars Williams. It’s a free jazz project that sounds like something fans of modern jazz will want to try out.
Continue reading “What Is XMarsX?”
It’s the year of major modern jazz artists striking out on their own. Branford Marsalis released Footsteps of Our Fathers earlier this year on his own label, Marsalis Music. Now George Duke has released his first album on his label, BPM (Big Piano Music). Face the Music was released September 3 and consists of mostly instrumentals. “The basic idea for this project was to use the same rhythm section for the entire album,” Duke says. “Though there are horns and vocals in spots, the rhythm section is the focus and identity of the music.” The rhythm section consists of Christian McBride and John Roberts.
Continue reading “George Duke Goes Indie”
I read a quote from Joshua Redman in a recent Borders magazine. I thought it was appropriate for the first entry at this site.
“Jazz is going in all different directions now, and most are wonderful. There are great musicians with really original things to say. The music is in a really wonderful, creative time. Jazz is mixing with other forms of music, but there is no one next step.
We have to stop seeing the development of jazz – or the development of any art – in this kind of linear progression. Each step is a little bit higher than the one before. There’s always a next obvious step, which represents obvious progress and linear evolution from what came before. That’s a very modernist conception and it’s worked for a long time. But I think this is more of a postmodern age. It’s less about the next big thing or the next logical extension of what’s happening. It’s more about all these different possible creative avenues that are being explored.”
Continue reading “Joshua Redman Quote”